Scandinavian
artist Matias Faldbakken is currently
commanding increasing attention on the international contemporary art scene.
His bold and expressive use of material and aesthetics within their location create
nothing less than a visual masterpiece.
Contemporary cross media sculptures
can often feel cold, with a certain degree of disconnect with the viewer, using
and combining ‘ready-made’ objects within the composition runs the risk of
furthering this divide. However this can’t be said for Faldbakken. He portrays
violence and destruction in a beautiful and controlled manner. The resonance of
his ‘creative destruction’ is supported by the apparent level of impact and
force needed in order to manipulate the materials is such a manor. Deformed and destroyed, the objects in
which he uses are removed from their original function and, thus reformulated
as sculpture.
Colour within his work provided by
the tables ties and ropes seem to both heightens the visual intensity, yet linking
the composition as a whole.
Along side art Contemporary Faldbakken is hailed as one of the
freshest new emerging voices of Norwegian literature and contemporary
Scandinavian fiction. He made his literary debut with the much praised and
award-winning The Cocka Hola Company - Scandinavian Misanthropy I. Two
years later followed, Macht und Rebel - Scandinavian Misanthropy II. In
2008, Faldbakken brought the “Scandinavian
Misanthropy” trilogy to a close with Unfun
- Scandinavian Misanthropy III.
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